The visual work of MiDi BiTCH is far more than a supplement to his music. It constitutes independent, audiovisual explorations of the unconscious, in which image and sound merge to generate meaning reciprocally.

His videos are based on an aesthetic of the abstract and the symbolic. Organic forms meet geometric structures, cosmic expanses contrast with microscopic detail. The visual space becomes a mirror of psychic space — fleeting, fragmented, and never fully legible.

On a technical level, MiDi BiTCH combines analog image manipulation, generative visuals, and algorithmically generated effects. The focus is not on hyperrealistic representation but on the deconstruction of perception: blurring, visual artifacts, and glitches are deliberately employed as design elements to address the act of „seeing“ itself.

Central themes include introspection, emotional ambivalence, and the permeability between inner and outer worlds. Visual motifs — fog, endless corridors, eroded masks — often appear as metaphors for the hidden and the unknowable within human consciousness.

Inspired by artists like Bill Viola, the meditative cinema of Andrei Tarkovsky, and the visual austerity of minimalism, MiDi BiTCH conceives of his video work as open spaces for interpretation. Rather than linear narratives, associative structures invite the audience to develop their own images and thoughts.

Like his music, the videos of MiDi BiTCH are experiments on the threshold of control and chance, construction and dissolution — always driven by the question: What happens when we let go of the familiar and begin to see into the unknown?