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MiDi BiTCH – UNSTERN
„Unstern is an eerie, cosmic descent into the subconscious — like Berlin School filtered through a dystopian telescope. MiDi BITCH continues to push electronic music into deeper philosophical territory, where emotion and abstraction collide.“
„A beautifully unsettling album. Every track on Unstern feels like a signal from a forgotten satellite — dark ambient with a soul, industrial without cliché. It’s not just heard; it’s experienced.“
„MiDi BITCH proves that modular synthesis can be deeply human. Unstern doesn’t explain itself — it invites you in, makes you question time, space, and self.“
1. Die Verwandlung von Zeit zu Raum durch die Musik 08:49
2. Das Lachen der Unsterblichen 05:31
3. Unstern 06:46
4. Die Kleinen und die Flachen 04:39
5. Schicksalssalz 07:53
6. Traumsprache 05:38
7. Zeitgeber 05:16
8. Gedankenklause 06:03
9. Maskenball 06:06
10. Bilderkabinett 05:09
11. Blumenblatt 04:58
11. Down and Up 07:33

released April 16, 2025
Unstern is not just a collection of tracks — it’s a journey inward and outward, a sonic voyage through emotion, introspection, and the hidden corners of the subconscious. I wanted each sound, each texture, each visual moment to ask questions rather than give answers.
This album is shaped by decades of influences: the sequenced dreamscapes of the Berlin School, the raw pulse of Krautrock, the haunting beauty of Dark Ambient, and the dystopian textures of industrial sound. From the elegance of Plato’s philosophy to the grit of Throbbing Gristle, these threads all tie into what you hear and see.
The video that accompanies this work is an extension of the music. Abstract forms, cosmic landscapes, and symbolic imagery — all attempting to mirror the mind’s endless terrain. It’s meant to feel like drifting through thought, floating between memory and imagination, weightless and strange.
I’ve been on this path since 1995, and with each album — from Hyperborea to Sonic Fiction, Transkosmos, Natal, and Anamnesis — I’ve tried to push boundaries, both sonic and conceptual. Machina (2023) brought me into darker, more dystopian territory, and Unstern continues that exploration but with a more cosmic and introspective tilt.
„Collaboration has been, and always will be, part of this evolution. I believe the most unexpected and inspiring moments happen when different minds collide. It keeps the process alive, uncertain, and full of possibility.„
This album is for anyone who has ever stopped to question reality, felt the weight of their own thoughts, or found themselves staring into the night sky wondering what’s out there — and in here.
Thank you for listening, watching, and exploring with me.
— Midi Bitch
mixed @livingroom bitwig & frza
design: frza
Pressetext – Midi Bitch Unstern [German]
Pressinfosheet – Midi Bitch Unstern [English]
MiDi BiTCH – CONSENT
„Postindustrial Drum and Bass Jungle Extremental Music.“ Favorite track: Liquid Boom [Leitfrequenz]
„Another artistic style of MiDi BiTCH. More then interesting and all tracks are musical happymakers. Great Job Fredy“ Favorite track: Pulse Dub [Frans Lemaire – MICADO]
„A fantastic mayhem of sonic fiction for the dancefloor…“
1. Liquid Boom 07:23
2. Pulse Dub 05:42
3. Side By Side 04:56
4. Alone Together Lost 07:44
5. Up And Down 07:44
6. Quarry 05:19
7. Walk on 06:05
8. Sonic Pressure 07:11
9. Fruits Basket 05:51
10. Black Coffee 04:33
11. Down and Up 07:33

released December 10, 2024
The album “Consent” is a compilation of songs for the exhilarated, the forgotten and the happy, who free themselves from the shackles of disdainful existence through dance and indulge in the pleasure of the moment.
Over the past weeks, I released one song after the other here. The album had 11 tracks with a total playing time of about 70 minutes.
You could have already bought the album and watched it grow song by song over the past few weeks.
MiDi BiTCH – CONSENT
Liner Notes
Consent is not submission. It is not silence. It is negotiation — between signal and noise, body and code, instinct and architecture. On this album, MiDi BiTCH invites us into a space where boundaries blur and agency pulses in every modulation.
Crafted entirely within the modular playground of Bitwig’s Grid, CONSENT unfolds as a dynamic interplay of synthetic textures, fragmented rhythms, and psychoacoustic micro-events. Oscillators speak in dream logic. Filters murmur like half-remembered memories. Control voltage becomes conversation.
Rather than offering closure or resolution, the tracks explore the tension between structure and surrender. Patterns emerge, collapse, and return — not as loops, but as echoes of choice. The listener is never passive: you are asked to consent to the drift, the dissonance, the momentary. This is sonic choreography for inner negotiation.
Inspired by post-structuralist philosophy, radical feminism, and the raw potential of algorithmic art, CONSENT is an invitation to rethink control — not as power over, but as power with. Each sound is a proposition. Each silence, an opportunity.
Let go. Lean in. Consent.
— Midi Bitch
mixed @livingroom bitwig & frza
design: frza
Pressetext – Midi Bitch Consent [German]
Pressinfosheet – Midi Bitch Consent [English]
VIDEO
The Video Art of MiDi BiTCH
UNSTERN VIDEO
The visual work of MiDi BiTCH is far more than a supplement to his music. It constitutes independent, audiovisual explorations of the unconscious, in which image and sound merge to generate meaning reciprocally.His videos are based on an aesthetic of the abstract and the symbolic. Organic forms meet geometric structures, cosmic expanses contrast with microscopic detail. The visual space becomes a mirror of psychic space — fleeting, fragmented, and never fully legible.
On a technical level, MiDi BiTCH combines analog image manipulation, generative visuals, and algorithmically generated effects. The focus is not on hyperrealistic representation but on the deconstruction of perception: blurring, visual artifacts, and glitches are deliberately employed as design elements to address the act of „seeing“ itself.
Central themes include introspection, emotional ambivalence, and the permeability between inner and outer worlds. Visual motifs — fog, endless corridors, eroded masks — often appear as metaphors for the hidden and the unknowable within human consciousness.
Inspired by artists like Bill Viola, the meditative cinema of Andrei Tarkovsky, and the visual austerity of minimalism, MiDi BiTCH conceives of his video work as open spaces for interpretation. Rather than linear narratives, associative structures invite the audience to develop their own images and thoughts.
Like his music, the videos of MiDi BiTCH are experiments on the threshold of control and chance, construction and dissolution — always driven by the question: What happens when we let go of the familiar and begin to see into the unknown?